D a n i e l R . F r o m e

D a n i e l R . F r o m e

D a n i e l R . F r o m e www.danfrome.com PROFESSIONAL EXPERIENCE Syfy / Chiller, New York, NY a [email protected] 347.628.2138 danfrome.com •...

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D a n i e l

R .

F r o m e

www.danfrome.com PROFESSIONAL EXPERIENCE

Syfy / Chiller, New York, NY a

[email protected] 347.628.2138 danfrome.com

• 2013 Key Art / Clio Audio Visual Finalist – Defiance, Syfy •2013 Promax / BDA Gold – Monster Man, Syfy •2012 One Show, Silver Pencil – Network Image, Chiller •2012 Promax / BDA, Bronze – October Movie Madness, Chiller •2012 Promax BDA, Bronze – Network Image / ID, Chiller

2010 - Present

Senior Writer / Producer / Editor • Write, produce and edit on-air promos, sponsored vignettes, sales materials, sizzles and internal pitch pieces for sister networks Syfy and Chiller. • Act as creative director and supervisor for various projects for Syfy and Chiller. • Represented Syfy at 2013 PromaxBDA conference and awards in Los Angeles. • Recent projects include: Animal - Lead creative, writer, producer & director of campaign for Chiller Films/Flower Films co-production. Sharknado / Ghost Shark - Lead creative, writer, producer and editor for Syfy original “schlock fest” phenomena. Don’t Watch Alone - Lead creative, writer, producer and editor of Chiller programming and social initiative. Defiance - Writer, producer and editor of extensive launch campaign for multi-platform Syfy initiative. Face Off - Writer, producer and editor of launch campaign for hit Syfy reality competition show. Up Front – Producer and editor of materials for Syfy and Chiller’s celebrated Up-Front and Promax reels.

Perceptional Production, New York, NY

2007 - 2010

Writer / Producer / Editor • Pitched, wrote and edited network promos, launches, stunts and sponsored vignettes, as well as internal sales and promotional materials for various clients. • Produced clip- and shoot-based network promos, launches, stunts and sponsored vignettes, as well as internal sales tapes, online materials, hot mixes and marketing pitches. • Coordinated design, animation, editing and mixing schedules, budgets and tasks with network clients. • Edited spots and finalized picture for air. • Clients and projects included: The View (ABC) - Elisabeth Hasselbeck on ESPN: Edited show segment. Nicktoons Network - “Start Watching”: Wrote, produced, directed and edited image spot. USA Network - Royal Pains/Burn Notice: Produced and edited crossover awareness spot. Food Network - “Tasty Bites”: Edited sponsored vignettes featuring Giada DeLaurentiis. Spike - The Hills Have Eyes / Halloween: Wrote, produced and edited a pair of horror movie stunts. Tru TV - Smartest Inventions: Edited promo for commentator-based comedy. USA Network - Zombieland: Produced and edited celebrity-based movie tie-in. Nickelodeon - Glenn Martin, DDS: Produced and edited behind the scenes sizzle and TCA reel. Nickelodeon - Nick Jr. DVD Trailers: Produced and edited trailers for commercially released DVDs.

TV Land / Nick @ Nite, New York, NY

2002 - 2007

Associate Producer • Wrote, produced and edited network promos, branding campaigns, integrated marketing spots and sales materials. • Regularly coordinated and collaborated with design and animation teams. • Prepped cuts for animation and finalized video outputs to tape as needed. • Managed work flow between various creative departments and production management. • Maintained up to 13 projects at a time.

Resource Communications (Filmspace), State College, PA

1998 - 2001

Associate Producer / Editor • Wrote, produced and edited educational and corporate documentaries for major universities, medical facilities and pharmaceutical companies. Writing samples, reel and references available upon request

Package Productions, State College, PA

2000 - 2001

Co-creator of entertainment web site • Wrote, produced, directed, edited and marketed webisodes of original serial. EDUCATION B.A., Film and Video, The Pennsylvania State University • Emphasis on production skills including editing, screen writing and directing, as well as cinematography, grip, location and on-set skills.

1998